2020. február 12., szerda

Biota - Bellowing room parte 2



This Colorado collective began in the early '80s under the name of the Mnemonists. A music and visual art collective, their first album Hoard is regarded as a classic of experimental music and was reissued by Recommended Records on CD in 1999. Changing their moniker to Biota sometime in the '80s, this signified a change in direction that would see them produce some of the most stunning electro-acoustic music that draws upon folk, rock, and tape music in an incomparable manner. They are often compared to Faust, in that they use the studio to construct their compositions out of acoustic instruments and have no fear of letting the tape machines become instruments in their own right. Recommended also issued this CD, which brings two of their self-released LPs to the digital format. This music really sounds like nothing prior to it, it is a unique marriage of ideas and approaches that on paper appear like a mismatch. Yet when listening to this enthralling and complex music, one can very easily become entranced in its alien sound world. Not entirely abstract, the music has its roots in American tradition and takes in folk and country music in a skewed manner, like Captain Beefheart, Harry Partch, and John Cage all in the same studio. Progressive rock, in a very literal sense of the term, it is no surprise that Chris Cutler was the first to recognize the group and subsequently become a member. At times, they do recall his group Henry Cow in that they are adventurous, bringing jazz, classical, progressive, folk, and 20th century classical into their range of influences. However, the style is unique and unparalleled. Later, groups such as Gastr Del Sol approached similar territory, as has British sampling composer John Wall. This CD collection finds Biota on more abstract ground than their later work, which is similar to the Pentangle, if they existed in Philip K. Dick's universe that is. It was this late-'80s period that earned them many awestruck followers, and often artis --Sylvie Harrison

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