La Monte Young
Marian Zazeela
Angus MacLise
Tony Conrad
John Cale
Terry Jennings
Aired during the October 21, 1984 WKCR (89.9 FM)
24 Hour La Monte Young Retrospective radio broadcast
in celebration of La Monte Young’s 49th birthday.
1963 early Tuesday Morning Blues
Bb Dorian Blues
5th Day of the Hammer
The Over Day
The Fire Is A Mirror
Band: Soft Machine
Album: Bundles
Year: 1975
Genre: Jazz Rock / Fusion
Released: (2012 Japan AIRAC-1667 Blu-spec Remaster)
Track List:
01. Hazard Profile Part 1
02. Part 2
03. Part 3
04. Part 4
05. Part 5
06. Gone Sailing
07. Bundles
08. Land Of The Bag Snake
09. The Man Who Waved At Trains
10. Peff
11. Four Gongs Two Drums
12. The Floating World
Band: Soft Machine
Album: Bundles
Year: 1975
Genre: Jazz Rock / Fusion
Released: (2012 Japan AIRAC-1667 Blu-spec Remaster)
Track List:
01. Hazard Profile Part 1
02. Part 2
03. Part 3
04. Part 4
05. Part 5
06. Gone Sailing
07. Bundles
08. Land Of The Bag Snake
09. The Man Who Waved At Trains
10. Peff
11. Four Gongs Two Drums
12. The Floating World
Michael Giles, Peter Giles and Robert Fripp
+Judy Dyble of Fairport Convention
1/ Hypocrite 0:00
2/ Digging My Lawn (A) 3:40
3/ Tremelo Study In A Major (Spanish Suite) 5:39
4/ Newly Weds 7:19
5/ Suite No. 1 9:12
6/ Scrivens 14:47
7/ Make It Today (A) 17:02
8/ Digging My Lawn (B) 20:29
9/ Why Don't You Just Drop In (I) 22:24
10/ I Talk To The Wind (1) 26:05
11/ Under The Sky (*) 29:22
12/ Plastic Pennies 33:15
13/ Passages Of Time 35:36
14/ Under The Sky (**) 39:07
15/ Murder 41:56
16/ I Talk To The Wind (2) 44:38
17/ Erudite Eyes 47:52
18/ Make It Today (B) 54:40
19/ Wonderland 59:27
20/ Why Don't You Just Drop In (II) 1:05:35
21/ She Is Loaded 1:09:17
A Ludwig Múzeum Lassú élet. Radikális hétköznapok című kiállítás alapötlete közel két évvel ezelőtt fogalmazódott meg, a koncepció kidolgozásán és megvalósításán a Ludwig Múzeum kurátori csapata hónapok óta dolgozik. Akkor még nem sejthettük, hogy a 2020 áprilisára tervezett, csaknem öt hónapos kiállítással és programsorozattal olyan témákat feszegetünk, amelyek a koronavírus okozta globális Covid-19-járvány következtében fenyegetően közelivé és égetően aktuálissá válnak. A „lassú-élet” egyik percről a másikra mindennapi valósággá, a globális világ kényszerű működésmódjává változott.
Videó performanszom a kiállítás kapcsán erre a kialakult helyzetre reagál 2020 húsvétján.
A Lassú élet. Radikális hétköznapok kiállításról bővebben: http://slowlife.ludwigmuseum.hu/?fbcl...
A kiállítás a Ludwig Múzeum kurátori csapatának közös projektje. (Csizek Petra, Jan Elantkowski, Készman József, Petró Zsuzska, Popovics Viktória, Üveges Krisztina)
Kiállító művészek:
Bartha Gabó | Benczúr Emese | Anca Benera & Arnold Estefan | Ursula Biemann & Paulo Tavares | Erdei Krisztina | ex-artists’ collective (Kaszás Tamás & Lóránt Anikó) | Manfred Erjautz | Horváth Gideon | Oto Hudec | Kaszás Tamás | Koronczi Endre | Lakner Antal | Diana Lelonek | Petra Maitz | Mátyási Péter | Oliver Ressler | Schuller Judit Flóra | Szabó Eszter Ágnes & Syporca Whandal | Süveges Rita | Lois Weinberger | Zilahi Anna
Video: Syporca Whandal
Camera: Lázár Simon Baján
Music: Syporca Whandal https://skhyzokhynostudio.bandcamp.co...
The idea of the exhibition Slow Life. Radical Practices of the Everyday was conceived almost two years ago and the Ludwig Museum’s curatorial team has been working on the preparation and implementation of the exhibition for months. At the time, we could not have guessed that with the nearly five-month exhibition and program series scheduled for April 2020, we would be dealing with topics that would become imminently close and pressing as a result of the global Covid-19 epidemic caused by the coronavirus. ‘Slow-life’ has all of a sudden become an everyday reality, a forced way of life in the global world.
My video performance responds to this situation in connection with the exhibition.
The Slow Life. More about radical weekdays exhibition: http://slowlife.ludwigmuseum.hu/?fbcl...
The exhibition is organized by the curatorial team of the Ludwig Museum. (Csizek Petra, Jan Elantkowski, Készman József, Petró Zsuzska, Popovics Viktória, Üveges Krisztina)
Exhibiting artists:
Gabó BARTHA | Emese BENCZÚR | Anca BENERA & Arnold ESTEFAN | Ursula BIEMANN & Paulo TAVARES | Krisztina ERDEI | EX ARTIST’S COLLECTIVE (Tamás KASZÁS & Anikó LÓRÁNT) | Manfred ERJAUTZ | Gideon HORVÁTH | Oto HUDEC | Tamás KASZÁS | Endre KORONCZI | LAKNER Antal | Diana LELONEK | Péter MÁTYÁSI | Petra MAITZ | Oliver RESSLER | Judit Flóra SCHULLER | Rita SÜVEGES | Eszter Ágnes SZABÓ & Syporca WHANDAL | Lois WEINBERGER | Anna ZILAHI
Alto Saxophone, Woodwind (Morrow), Flute – Marshall Allen
Baritone Saxophone – Pat Patrick
Bass – Ronnie Boykins
Congas – Leah Ananda
Drums – Willie Jones
Euphonium, Trombone – Bernard McKinney
Piano – Sun Ra
Tenor Saxophone, Bass Clarinet – John Gilmore
Recorded at Medallion Studio, Newark, New Jersey. October 10, 1961.
Cover – Harvey
Engineer – Paul Cady
Producer – Tom Wilson
A1 Bassism 0:00
A2 Of Sounds And Something Else 4:00
A3 What's That? 6:49
A4 Where Is Tomorrow? 9:01
A5 The Beginning 11:48
A6 China Gates 18:13
B1 New Day 21:33
B2 Tapestry From An Asteroid 27:23
B3 Jet Flight 30:23
B4 Looking Outward 33:35
B5 Space Jazz Reverie 36:22
obert Fripp's "Music for Quiet Moments" series. We will be releasing an ambient instrumental soundscape online every week for 50 weeks. Something to nourish us, and help us through these Uncertain Times.
"Quiet moments are when we put time aside to be quiet. Sometimes quiet moments find us. Quiet may be experienced with sound, and also through sound; in a place we hold to be sacred, or maybe on a crowded subway train hurtling towards Piccadilly or Times Square.
Quiet Moments of my musical life, expressed in Soundscapes, are deeply personal; yet utterly impersonal: they address the concerns we share within our common humanity." Robert Fripp
Make sure to subscribe to the channel to stay up to date with all releases: https://bit.ly/2Yk8Pul
A1 S.F. Sorrow Is Born
A2 Bracelets
A3 She Says Good Morning
A4 Private Sorrow/Balloon Burning
A5 Death
B1 Baron Saturday
B2 The Journey/I See You
B3 Trust
B4 Old Man Going
B5 Loneliest Person
Thomas Henry Corra (Tom Cora), musician, born 14 September 1953 Died 9 April 1998.
Excerpt from a great solo performance in milan 1990
no copyright infringement intended If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the
video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music Ilove.I don't want problems with anybody and I never intended to break the copyright law.
1. Sinaloa bloody punk (00:00)
2. Los muertos no me necesitan (03:20)
3. Sarah Kane (07:10)
4. Resurrección (09:16)
5. Una noche (12:18)
6. Los lanzallamas (16:46)
7. Van Gogh (20:20)
8. Masacre en Macondo (20:48)
9. Detrás de la sombra (25:32)
10. ¡Placer en estéreo¡(29:08)
11. La canción sádica (30:54)
12. Sarak Kane (Rare mix) (Bonus track) (34:12)
CRÉDITOS Y AGRADECIMIENTOS
____________________________
Tristan Tzara Incorporated son:
Luis Reyes / Batería.
Pablo Tovar / Bajo.
Leonardo Mora / Voz, teclados, tamborín.
Jaime Campo / Guitarras.
Todas las canciones compuestas por Leonardo Mora,
a excepción de:
__________________________________________
"Sinaloa bloody punk"
(Música: Jaime Campo y Leonardo Mora; letra: Leonardo Mora.)
"Los muertos no me necesitan"
(Música: Jaime Campo y Leonardo Mora; letra: versos del poema "Todo" de Charles Bukowsky)
"Una noche"
(Música: Jaime Campo y Leonardo Mora; letra: Leonardo Mora).
__________________________________________________
Coros en "Resurrección": Vanessa Vásquez.
Versión "Sarah Kane (Rare mix)": Leonardo Mora
Producción, arreglos y mezcla: Leonardo Mora.
Carátula, contracarátula y arte: Jaime Campo y Tristan Tzara Incorporated.
Grabado en Estudios Le Groove Room (Ibagué - Colombia).
2013.
Tristan Tzara Incorporated quiere agradecer especialmente a nuestras familias por facilitar las cosas para este continuo proceso, al DJ Leo Martínez por permitirnos grabar y ensayar sin ninguna restricción en su estudio y su constante asesoría técnica, al arte fotográfico cedido por Paola Ramírez, a Juana Mora por su participación en el video de "Sarah Kane", a Natalia Molina por el maquillaje del video de "Sinaloa bloody punk", a Vivian y Marcela Cárdenas por su interés en que la banda continuara trabajando a falta de elementos, a Julián Perdomo por sus aportes y su pedal digital, a Carlos Oviedo y a Vanessa Vásquez por la inteligente difusión de nuestro trabajo en la red, a los muchachos de Bat Beat en Bogotá por su apoyo constante, a los amigos incondicionales del grupo y su ayuda leal (León Ávila, Lucy Quintana, Mónica Tovar, David Martínez, William Medina, Ángela Vargas, Julián Nieto, Jefferson Vivas, Robinson Peña, Duván Carvajal y los muchachos de Los Pasajes en Bogotá, los grupos Voltage, Caverfonia y The Golconda) y a todas las personas que han estado con nosotros --conocidos y desconocidos- desde que empezamos este derrotero incierto de intentar crear arte en el duro contexto latinoamericano. Si olvidamos mencionar a alguien, pedimos disculpas, de verdad no fue intencional.
